Blackmagic URSA Mini Pro 12K
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy. Photo is show with Optional Equipment (lens sold separately)
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Blackmagic Design brings you a revolution in digital film with the URSA Mini Pro 12K. It has a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. This third generation URSA Mini Pro is packed with features including new color science, 80 megapixels per frame shooting in Blackmagic RAW, built in ND filters, user changeable lens mount and recording to dual CFast or SD cards. Plus the URSA Mini Pro 12K even supports recording direct to a flash disk or SSD using its built in SuperSpeed USB‑C connection. LENS NOT INCLUDED
Blackmagic URSA Mini Pro 12K Includes:
- Blackmagic URSA Mini Pro 12K Body
- Turret dust cap
- PL lens mount
- Power supply
- Software:
- URSA Mini Operating System
- DaVinci Resolve Studio for Mac and Windows (including activation key)
- Blackmagic Camera Setup
- Blackmagic RAW Player
- Blackmagic RAW QuickLook Plugin
- Blackmagic RAW SDK
- Blackmagic RAW Speed Test
Key Features:
- Digital Film, Extreme Resolution
- Cinematic Super 35 12K Sensor
- Shoot in 12K, Edit on a Laptop
- Blackmagic RAW Fueled Image Capture
- Optimized for Fast Flexible Post Production
- Generation 5 Color Science
- Full Resolution at Higher Frame Rates
- High Band Width Recording
- Easy to Use Blackmagic OS
- Revolutionary Lightweight, Portable Design
- Built in Precision ND Filters
- USB-C for Direct Recording to External Disks
- High Resolution Monitoring and Camera Control
- Digital Slate for Fast Metadata Entry
- Full Size, Durable Connections that Work with Standard Cables
- Wireless Bluetooth Camera Control
- High Resolution Viewfinder for Accurate Focus
- Compatible with Industry Standard Batteries and Power
- Includes DaVinci Resolve Studio
- Interchangeable Lens Mounts (PL mount included; others sold seperately)
- Optional Shoulder Mount Kit (sold seperately)
Blackmagic Design CINEURSAMUPRO12K Specifications:
- Camera
- Effective Sensor Size: 27.03mm x 14.25mm (Super35)
- Lens Mount: PL mount included (Interchangeable with optional EF and F lens mounts; sold seperately)
- Dynamic Range: 14 Stops
- Shooting Resolutions:
- DCI: 12,288 x 6480
- 16:9: 11,520 x 6480
- 2.4:1: 12,288 x 5112
- Anamorphic: 7680 x 6408
- Frame Rates: Maximum sensor frame rate dependent on resolution selected
- High Speed Frame Rates: 17:9 full sensor up to 60 fps
- Built in ND Filters: Four position ND filter wheel (Clear, 2-stop, 4-stop & 6-stop IR ND filters)
- Focus: Focus button turns on peaking, auto focus available using compatible lenses.
- Iris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode
- Screen Size: 4″
- Screen Type: LCD capacitive touchscreen
- Metadata Support: Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes
- Controls:
- Touchscreen menus on 4 inch screen
- Push buttons for other controls
- 3 assignable shortcut keys
- Timecode Clock: Highly accurate; less than 1 frame drift every 8 hours.
- Connections
- Total Video Input: 1 x 12G-SDI
- Total Video Outputs:
- 1 x 12G-SDI
- 1 x 3G-SDI Monitoring
- SDI Rates:
- 1.5G
- 3G
- 6G
- 12G
- Analog Audio Inputs:
- 2 x XLR analog switchable between mic, line and AES audio
- Phantom power support
- Analog Audio Output: 1 x 3.5mm headphone jack (supports iPhone microphone for talkback)
- Reference Inputs: Tri-Sync/Black Burst/Timecode
- Computer Interface:
- 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording
- 1 x USB Type-C for software updates
- Remote Control: 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses
- Audio
- Microphone: Integrated stereo microphone
- Built in Speaker: 1 x mono speaker
- Standards
- SD Video Standards: N/A
- HD Video Standards:
- 1080p23.98
- 1080p24
- 1080p25
- 1080p29.97
- 1080p30
- 1080p50
- 1080p59.94
- 1080p60
- 1080i50
- 1080i59.94
- 1080i60
- Ultra HD Video Standards:
- 2160p23.98
- 2160p24
- 2160p25
- 2160p29.97
- 2160p30
- 2160p50
- 2160p59.94
- 2160p60
- SDI Compliance:
- SMPTE 292M
- SMPTE 424 Level B
- SMPTE 2081-1
- SMPTE 2082-1
- SDI Audio Sampling: 48 kHz and 24 bit
- Media
- Media:
- 2 x CFast 2.0 card slots
- 2 x SD UHS-II card slots
- 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media
- Media Format: ExFAT (Windows/Mac) or HFS+ (Mac) file systems
- Media:
- Control
- External Control: Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control
- Talkback and Tally
- Talkback: SDI Channels 15/16 and iPhone headset
- Live Tally Indicator: Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder
- Storage Features
- Storage Types:
- 2 x CFast 2.0
- 2 x SD UHS-II cards
- 1 x high speed USB-C expansion port for external media.
- Storage Rates (based on 24 frames per second):
- Blackmagic RAW 5:1 – 578 MB/s
- Blackmagic RAW 8:1 – 361 MB/s
- Blackmagic RAW 12:1 – 241 MB/s
- Blackmagic RAW 18:1 – 160 MB/s
- Blackmagic RAW Q0 – 241 to 578 MB/s
- Blackmagic RAW Q1 – 144 to 361 MB/s
- Blackmagic RAW Q3 – 96 to 241 MB/s
- Blackmagic RAW Q5 – 72 to 180 MB/s
- Recording Formats: Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata
- Storage Types:
- Power Requirements
- Power Supply: 1 x External 12V power supply (12 pin Molex connector for rear battery plate)
- External Power Input:
- 1 x 4 pin XLR port for external power or battery use
- 1 x 12 pin Molex connector on rear battery plate
- Custom V-mount battery plate with D-tap +12V regulated output from camera
- Power: Rear camera mount compatible with industry standard V-mount or gold mount battery plates
- Environmental
- Operating Temperature: 0° to 40°C (32° to 104°F)
- Storage Temperature: -20° to 45°C (-4° to 113°F)
- Relative Humidity: 0% to 90% non-condensing
- Physical
- Dimensions (LxWxH): 9.2″ x 5.92″ x 5.78″
- Weight: 5.62 lb
- Warranty: 12 Month Limited Manufacturer’s Warranty
Blackmagic Design HyperDeck Studio 4K Pro
This extremely powerful Ultra HD model records and plays H.264/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60. Records SD and HD in H.264 and Ultra HD in H.265.
For extreme power, the HyperDeck Studio 4K Pro has all the features of the HD models, combined with incredible processing for working in Ultra HD. This model’s SDI has been upgraded to full 12G-SDI with a loop 12G-SDI output. The two SDI outputs are both 12G-SDI so you can play ProRes 4444 files for true Ultra HD fill and key out. The HDMI connections and the ProRes and DNx file formats all switch between SD, HD and Ultra HD television standards. Like the other models, H.264 is included for SD and HD, but then switches to H.265 when recording in Ultra HD. Even the networking has been upgraded to 10G Ethernet for incredible speed! You also get 2 redundant AC power supplies!
Professional broadcast decks that record and playback using SD cards and SSD media!
HyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media! The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio.When you’ve finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there’s even built in timecode and reference generators for syncing multiple units! All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage!
Elegantly Designed Professional Broadcast Deck
The new HyperDeck Studio recorders have been totally redesigned with dozens of new features! The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel.The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck! With dual media slots, you can change cards without interrupting recording! The advanced models even include a front headphone connection and speaker!
Perfect for Live Production, Broadcast and Archive
Mastering Recorder – All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters! You can even use PCM or AAC audio, plus the 4K model adds H.265 when recording to Ultra HD files.You get everything you need to send shows to broadcasters and for uploading to YouTube.
ISO Recording – All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events! You can even sync cameras to the SDI output and the SDI input has a frame sync!
Digital Signage – HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There’s even FTP for file upload and a protocol for remote control!
Broadcast Archive – HyperDeck Studio supports all SD and HD standards so it’s ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1″, U-matic and VHS. You can even record direct to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI! Bright Color LCD Status Display HyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The compact LCD shows timecode and transport information, plus a full color thumbnail preview of the current clip in record or playback. It also displays information about each card’s recording status, along with video format, frame rate information and audio levels, all on the same display! The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn! Traditional Broadcast Deck Controls HyperDeck Studio includes a traditional broadcast style control panel that’s very fast to use. Simply press the record button and you instantly start recording the video input to a file! You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more.Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks.The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring. Supports SD Cards, UHS‑II Cards or SSDs All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don’t need expensive custom media.When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. Plus, you can even record to external USB disks! With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That’s over 6 days of recording in HD using a single 1 TB card! Dual Media Slots For Non‑Stop Recording!
All HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That’s perfect when recording long live events because you can “hot swap” a full card for an empty card while recording continues in the other slot! Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.
Record to External USB-C Media Disks
If recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it’s even possible to record to a disk array you’ll use for editing, so you don’t need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing! You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built in LCD.
Popular ProRes, DNx, H.264 and H.265 Files!
HyperDeck supports the most popular codecs in use today! All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD.That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality.Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings.The Plus and Pro models even support ProRes 4444 allowing fill and key playback!
Advanced Broadcast Connections!
Depending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There’s even a dedicated SDI monitoring output on the Pro and Plus models with on screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording!All models even include AC and locking DC power!
Choose 3G‑SDI, 6G‑SDI or 12G‑SDI Models!
With multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080 PsF formats!On the 4K model, Ultra HD formats up to 2160p60 are supported.Plus the 4K model supports 2K and 4K DCI rates up to 30p.HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.
Fill and Key Outputs for Broadcast Animations
The HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the 2 separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file’s alpha channel will be automatically converted to the key SDI output for realtime keying in a live production switcher! Plus the HyperDeck Studio 4K Pro model adds fill and key playback in Ultra HD! Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multi layered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions!
USB Webcam Output for Video Software
For compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you’re not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it’s really a broadcast quality video source! That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio’s USB webcam feature works with any video software including Zoom, Microsoft Teams and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster and more!
Advanced HDR Support and Monitoring 3D LUTs
You’ll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 colorspaces.HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.
Includes Professional Multi Channel SDI Audio
HyperDeck Studio includes professional multi channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8 or 16 channels of audio in real time. There’s extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8 or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has fantastic sound!
Incredibly Fast Network File Transfers
All HyperDeck models allow media files to be uploaded remotely, using simple FTP client software.With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks!For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type “play” or “record” and it will execute the command. It’s that simple! If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out.
Traditional RS-422 Broadcast Deck Control
The most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you’ll know you’re connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site.
Built in Timecode and Sync Generators
With a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators “free run” unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.
Includes the Power of Blackmagic OST
he innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on, while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode!
Localized for 13 Popular Languages
HyperDeck Studio supports multiple languages so you don’t need to learn a new language just to use it! You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world!
Use All Video Software and Streaming Sites
HyperDeck Studio records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more! You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files! Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.
Built in Redundancy Keeps You On Air!
Serious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.
Compatible with Switchers, Disk Docks and Cameras!
There’s a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras and streaming solutions! As the Mini and Plus models don’t include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times!HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.
| Weight | 2 kg |
|---|---|
| Dimensions | 10.5 × 10.5 × 3.5 cm |
| Color | Blue |




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